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In the forest lurks all manner of fears. We can’t see what lies ahead, nor behind. As we make our way through the night, shadows come alive, and we are enveloped by the unknown. It is in this hidden world where The Secret of the Midnight Shadow lurks. At night a different kind of creature makes the forest home.
In the fantastical world of the Midnight Shadow, a pop-up book springs to life. We realize that our worst fears are fabrications of the mind, that there is freedom in night time theatrics. We join the quiet spectacle. Unburdened by surveillance, we become fierce, our lips curl to grins, and we become outlaws. When no one is watching, we transform, slinking through the forest, staking claim to a world of our own.
To our imaginations, the night forest is anything we want it to be, it is the stuff of horror films, black magic and mythology. It is danger and fear, but it is also pleasure and secrecy. It is anomalous and anarchic, it is where we make decisions away from convention. In this same way, when we read or look, the words and pictures leave their homes and enter the realm of imagination; they can do anything.
In The Secret of the Midnight Shadow figures arise from found, manipulated and redrawn Boy Scout illustrations. Removed from their environment the boys are introduced to a world of ambiguity. Like all of us, they are left negotiating the space between the world they are from, and the world they have arrived in.
Daryl Vocat, born in Regina, Saskatchewan, is a visual artist living and working in Toronto. He completed his Bachelor of Fine Arts degree at the University of Regina in Saskatchewan, and his Master of Fine Arts degree at York University in Toronto. His main focus is printmaking, specifically screen printing. He works out of Toronto’s Open Studio.
He has had solo exhibitions at Toronto’s Thrush Holmes Empire, Open Studio, and York Quay Gallery. He has also had solo exhibitions at SNAP gallery and Latitude 53 in Edmonton, Eastern Edge Gallery in St John’s, James K. Bartleman Art Gallery in Elliot Lake, The Wilfred Laurier Gallery in Waterloo, and Malaspina Printmakers Gallery in Vancouver. He has participated in several group exhibitions both in Canada and beyond, including an internationally touring exhibition titled Further, Artists From Printmaking at the Edge.
His work has been acquired by the National Gallery of Canada Library and Archives, The Morris and Helen Belkin Art Gallery permanent collection, The Saskatchewan Arts Board permanent collection, and the City of Toronto Fine Art collection. His artwork has been published in YYZine from YYZ Gallery in Toronto, Briarpatch magazine from Regina, and Printmaking at the Edge by Richard Noyce, published in Great Britain.
Project supported by the Ontario Arts Council