Main Gallery

ARTSPACE's main gallery is dedicated to presentation of exhibitions by Canadian artists at all stages of their careers. Programming consists of six annual exhibitions, special projects, artists residencies, and sound/video events. Info regarding submissions can be found under the submissions link.
While we are moving into the new site, older shows can be found in the archive.
Format: 2010-09
Format: 2010-09

Charlene Vickers: Sleepwalking

Mar 10 2006 - Apr 8 2006

Charlene Vickers' installation Sleepwalking is an act of reclamation.

Chih-Chien Wang: Home-Scenery

Jan 13 2006 - Feb 18 2006

Chih-Chien Wang: The Poetics of Empty Hands

essay by Anil Ragubance

COCOSOLDC1T1: Rounding Error

Nov 18 2005 - Dec 17 2005

C0C0S0L1DC1T1 work out of the UK, Canada and France and have been curating sound, Internet, video and film based work by artists from around the world through collaborative project

Luis Jacob: Open Your Mouth and Your Mind Will Follow

Sep 9 2005 - Oct 15 2005

FEATURED EVENTS INCLUDE:

Friday, September 9th from 2 - 5 PM: at Grassroots Cafe: a bread-baking workshop. All are welcome.

tim dallet: flowchart

Jul 29 2005 - Aug 5 2005

tim dallett's flowchart is a live audio-visual performance and installation dealing with notions of technological change, obsolescence and time.

Philip Kitt: Gallery Interior with Missing Painting

Jun 17 2005 - Jul 9 2005

In recent years the animated cartoon has experienced something of a renaissance. Full-length features show in cinemas and highly popular series appear on prime time TV.

Rez-Erection: Belle Sauvage, Buffalo Boy and Miss Chief Eagle Testickle set up Camp

Rez-Erection:  Belle Sauvage, Buffalo Boy and Miss Chief Eagle Testickle set up Camp

June 18 - July 4 2009

Performance:  Thursday, June 18th

Artspace and OKW partner to bring Peterborough Indigenous performance art

Belle Sauvage and Buffalo Boy invite you to watch their WILD west show where you can engage in playing dress up and join the show. Get your photos taken with real live 'Indians.' A queer rodeo you have never seen before where buckskin meets fishnets and buffalo g-strings and where rodeo's biggest name is a Cree/Saulteux women. The cowboy here revers the Buffalo and is a gender bending, sexually progressive two-spirit. The cowgirl here is the pistol wielding “Indian' women with the meanest roping skills. The time is now as a campy reincarnated turn of the century wild west show, world fair, early peep show where Indigenous Peoples performed western imaginaries of colonial conquest, manifest destiny and supposed savagery.

Artists Lori Blondeau and Adrian Stimson trot out their alter egos Belle Sauvage and Buffalo Boy mining and miming a long history of performing and playing Indian by Indigenous Peoples and Settlers alike. Remember to read the fine print. You must sign?? over all your rights to the photos taken and sign with an X. A re-enactment of treaty signing days when greedy unscrupulous treaty commissioners would make Indigenous Peoples of the Plains sign their names to treaties that they later refused to honour and which they interpreted as a signing over of all Indigenous rights to life, land and culture.

Kent Monkman's alterego Miss Chief Eagle Testickle's adventures and histories are captured in a trilogy of films expanding the critique of colonialism to all things canonical like Edward S. Curtis, Western films and George Catlin. In Group of Seven Inches, Monkman inverts the colonial gaze by presenting Miss Chief as the one with the brush, painting her understanding of the white man as she explores two hot hapless white men. Shooting Geronimo finds Miss Chief changing history one highheeled kick at a time as she records the history of two young 'braves' taking power back from the little white man behind the camera who desires more than their picture. Robin's Hood brings that wandering artist, Miss Chief Eagle Testickle into Sherwood Forest for her ultimate trist.

The strategies of mimicry, parody and masquerade allow for a humourous but unsettling window into the relationship of sex and conquest, desire and colonial representation. In wilding the West, all three artists transform the 3 C's of Capitalism, Christianity and Colonialism into Camp, Chance and Celebration.

Join them at Artspace on June 18th for modern myth-making mayhem.

Lori Blondeau is a Cree/Saulteaux/Métis artist and curator based in Saskatoon. She is a co-founder and the current director of TRIBE, one of Canada’s most innovative and exciting Aboriginal arts organizations. Blondeau’s performance, photo, and media-based works have been presented nationally and internationally. She is currently completing a PhD in Interdisciplinary Studies at the University of Saskatchewan.

Adrian A. Stimson is a member of the Siksika (Blackfoot) Nation in southern Alberta and a Saskatoon-based interdisciplinary artist. He has exhibited and performed nationally, and is a sessional instructor at the University of Saskatchewan. His research has included identity, metaphysics, two spirit people, ecology, spirit and healing modalities within artists practice. Adrian was awarded the Queen Elizabeth II Golden Jubilee Medal in 2003 and the Alberta Centennial Medal in 2005 for his human rights and diversity activism in various communities.

Supported by Canada Council for the Arts, Performance programming.

12 Hours of ARTSPACE

12 hours

12 Hours of Artspace

Brian Rideout: my friends are your friends

June 3 - June 17, 2008

Opening reception: Thursday, June 5th at 7PM

As an Artist-In-Residence Brian is using Artspace's MUDROOM as a studio for production of new works for his upcoming exhibition. He is a recent graduate of Fine Arts program a Georgian College. This is his first solo exhibition.

 

 

 

Laurent Gagnon (Quebec)

A Reef Story

December 7 2007 - January 5 2008

Opens: Friday, December 7 at 7 PM

 

 

A Reef Story project examines our way of domesticating landscapes by re-creating singular spaces (remnants of foundations, a scrap yard, an old shed, a chapel, etc.) that tell cultural stories, both real and imagined. They encourage the viewer to experience through his senses the object and its inherent cultural identity. This installation presents a detached look at preconceived ideas of the rural world and nature, while the realistic details induce fascination and wonder.

In his work, Laurent Gagnon has developed a great curiosity about techniques. His investigations are varied; he produces sculpture, serigraphs, etchings, drawings, pictural projects, art books and more. But this fragmented horizon is united by a concern with density, tenacity, and minutiae that are typical of Gagnon. He has a bachelor and a master's degree in visual arts from Université Laval. He has produced a number of outdoor sculptures, including at l'îlot fleurie, Québec (Émergence '97). His work is featured in various public and private collections.

The artist would like to thank Don Darby, Valérie Murray, Jaques Harvey, Louis et Myriam Gagnon, and CALQ for assistance in this project.


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