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Rez-Erection: Belle Sauvage, Buffalo Boy and Miss Chief Eagle Testickle set up Camp
June 18 - July 4 2009
Performance: Thursday, June 18th
Artspace and OKW partner to bring Peterborough Indigenous performance art
Belle Sauvage and Buffalo Boy invite you to watch their WILD west show where you can engage in playing dress up and join the show. Get your photos taken with real live 'Indians.' A queer rodeo you have never seen before where buckskin meets fishnets and buffalo g-strings and where rodeo's biggest name is a Cree/Saulteux women. The cowboy here revers the Buffalo and is a gender bending, sexually progressive two-spirit. The cowgirl here is the pistol wielding “Indian' women with the meanest roping skills. The time is now as a campy reincarnated turn of the century wild west show, world fair, early peep show where Indigenous Peoples performed western imaginaries of colonial conquest, manifest destiny and supposed savagery.
Artists Lori Blondeau and Adrian Stimson trot out their alter egos Belle Sauvage and Buffalo Boy mining and miming a long history of performing and playing Indian by Indigenous Peoples and Settlers alike. Remember to read the fine print. You must sign?? over all your rights to the photos taken and sign with an X. A re-enactment of treaty signing days when greedy unscrupulous treaty commissioners would make Indigenous Peoples of the Plains sign their names to treaties that they later refused to honour and which they interpreted as a signing over of all Indigenous rights to life, land and culture.
Kent Monkman's alterego Miss Chief Eagle Testickle's adventures and histories are captured in a trilogy of films expanding the critique of colonialism to all things canonical like Edward S. Curtis, Western films and George Catlin. In Group of Seven Inches, Monkman inverts the colonial gaze by presenting Miss Chief as the one with the brush, painting her understanding of the white man as she explores two hot hapless white men. Shooting Geronimo finds Miss Chief changing history one highheeled kick at a time as she records the history of two young 'braves' taking power back from the little white man behind the camera who desires more than their picture. Robin's Hood brings that wandering artist, Miss Chief Eagle Testickle into Sherwood Forest for her ultimate trist.
The strategies of mimicry, parody and masquerade allow for a humourous but unsettling window into the relationship of sex and conquest, desire and colonial representation. In wilding the West, all three artists transform the 3 C's of Capitalism, Christianity and Colonialism into Camp, Chance and Celebration.
Join them at Artspace on June 18th for modern myth-making mayhem.
Lori Blondeau is a Cree/Saulteaux/Métis artist and curator based in Saskatoon. She is a co-founder and the current director of TRIBE, one of Canada’s most innovative and exciting Aboriginal arts organizations. Blondeau’s performance, photo, and media-based works have been presented nationally and internationally. She is currently completing a PhD in Interdisciplinary Studies at the University of Saskatchewan.
Adrian A. Stimson is a member of the Siksika (Blackfoot) Nation in southern Alberta and a Saskatoon-based interdisciplinary artist. He has exhibited and performed nationally, and is a sessional instructor at the University of Saskatchewan. His research has included identity, metaphysics, two spirit people, ecology, spirit and healing modalities within artists practice. Adrian was awarded the Queen Elizabeth II Golden Jubilee Medal in 2003 and the Alberta Centennial Medal in 2005 for his human rights and diversity activism in various communities.
Supported by Canada Council for the Arts, Performance programming.
June 3 - June 17, 2008
Opening reception: Thursday, June 5th at 7PM
As an Artist-In-Residence Brian is using Artspace's MUDROOM as a studio for production of new works for his upcoming exhibition. He is a recent graduate of Fine Arts program a Georgian College. This is his first solo exhibition.
A Reef Story
December 7 2007 - January 5 2008
Opens: Friday, December 7 at 7 PM

A Reef Story project examines our way of domesticating landscapes by re-creating singular spaces (remnants of foundations, a scrap yard, an old shed, a chapel, etc.) that tell cultural stories, both real and imagined. They encourage the viewer to experience through his senses the object and its inherent cultural identity. This installation presents a detached look at preconceived ideas of the rural world and nature, while the realistic details induce fascination and wonder.
In his work, Laurent Gagnon has developed a great curiosity about techniques. His investigations are varied; he produces sculpture, serigraphs, etchings, drawings, pictural projects, art books and more. But this fragmented horizon is united by a concern with density, tenacity, and minutiae that are typical of Gagnon. He has a bachelor and a master's degree in visual arts from Université Laval. He has produced a number of outdoor sculptures, including at l'îlot fleurie, Québec (Émergence '97). His work is featured in various public and private collections.
The artist would like to thank Don Darby, Valérie Murray, Jaques Harvey, Louis et Myriam Gagnon, and CALQ for assistance in this project.